Nov
4
Sparks Night, Brighton
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Had a thoroughly wonderful time at Sparks Night last night, in the intimate venue at Upstairs at Three and Ten, Brighton. Jo Mortimer compered in her entertainingly idiosyncratic way and the whole evening went off without a hitch. Some great pieces by Jac Cattaneo, Katie McCullough (read by Jo), Yeu-Ing Mo, Wendy Greenhalgh, Vanessa Gellard and Vanessa Gebbie. Oh, and me – have a feeling I was there as the token bloke, to be honest. I read “Canine Mathematics“, accompanied by a wonderfully apposite photo, which I’ll post up if I can get hold of (a) an image and (b) permission. I particularly liked the pieces by both Vanessas and Wendy Greenhalgh.
After the event, the audience and performers all mingled in the bar downstairs and I was sorry to leave to catch my train (and replacement bus service and train again). What a lovely bunch of people. Especially nice to meet Vanessa Gebbie, as I have long been an admirer of her work, and I will in fact be interviewing her at some point in the not-too-distant future about (amongst other things) her work on editing “Short Circuit“, the new must-have definitive book on writing short stories. Here’s the post on her blog about the night. It was also nice to meet James Burt again, having previously been on the same bill as him at Liars’ League, as well as Vanessa Gellard and Robin Taylor, who I’ve previously only known on Twitter – my first tweet-up!
Oh, and if anyone is interested to read about how “Canine Mathematics” came into existence, here’s the full story.
Oct
13
Sparks Night
Filed Under Acceptances, Performances | 2 Comments
Ooh, this should be fun. I’ve just had a piece accepted for the next Sparks Night. This is the one where you read out a piece of under 1000 words in front of a projection of a specially commissioned photograph. I’ll be fascinated to see what they come up with to accompany my piece. I’ve chosen an old favourite of mine, “Canine Mathematics”, which I last read at Leighton Buzzard Writers’ open mic night, where it seemed to go down reasonably well.
Anyway, if you fancy coming along to see me making a fool of myself, the venue is Upstairs at the Three and Ten, Steine Street, Brighton, and the date is Tuesday, November 3rd. I’m really looking forward to this. Just got to work out how to get back home afterwards – I’m hoping against hope that there isn’t a replacement bus service between London Bridge and St Pancras, because that will really piss me off.
Apr
26
Well At Least I Didn’t Gabble …
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… or lose my place, although according to Mrs P I didn’t quite have the microphone at the right height, so parts of the story were a little hard to pick up. I’d add a picture, if it weren’t for the fact that I look even more unprepossessing than usual, so that delight will be denied to you this time. Anyway, it all seemed to go off reasonably well on Friday night, and I was honoured to be on the same bill as Katy (Liars’ League) Darby, as well as Mo Cooney and Steve Smithson, all of whom contributed first-rate stories. Definitely worth submitting for again.
Apr
15
Tales of the Decongested
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I’m really really chuffed about this one. After several failed attempts (mainly with completely inappropriate pieces – duh), I have finally made it into Tales of the Decongested with “Farewell Symphony”, the piece that I wrote for Round One of the Whittaker Prize. So if anyone wants to hear me read it, the place is the 3rd floor of Foyles on Tottenham Court Road and the time is 7PM next Friday, April 24th.
Apr
14
Last night I dragged the wife and kids along to The Old Red Lion Theatre Pub in Islington to see Obstacle Productions’ performance of “What Stirs the Spring” and we all had a terrific time. The intimate venue was almost full and we were treated to an exceptionally polished performance by Miles Barden and Joshua Dickinson. I always get a kick out of hearing something I’ve written myself being acted out (”After Michelangelo” in this case) – even if that is tempered by occasional thoughts of “Hmmm, that bit of writing needs tightening up a tad”. I also thought that Oscar Windsor-Smith’s piece “Timelock” was fantastic, and those two old pros Poe and Jacobs came out of it pretty well, too.
Mar
25
LB Writers Open Mic Evening
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Well, that was a lot of fun. Last night, I went to my first-ever open mic evening at Leighton Buzzard Writers. The house was packed, and a great time was had by all. We were limited to three-minute slots, so I went for “Canine Mathematics”, which is probably the nearest thing I have to a crowd-pleaser. Anyway, it seemed to go down reasonably well, in that everyone seemed to laugh in most of the right places. In fact, I have to say that there wasn’t a single duff reading all night – everyone rose to the occasion, with an extraordinary variety of work displayed, both fiction and non-fiction, poetry and prose, and humorous, serious and occasionally downright angry. In the intervals, I met John Hockey of LB Writers and Martin Brocklebank of Milton Keynes Speakeasy and we chatted about how to free the power of the right brain. There’s a science to all this, y’know.
Anyway, well done to Kate Allen for organising it and for inviting us outsiders along. I believe that we in the VWC are doing something similar in the summer, and I for one can’t wait.
Mar
23
Just realised that I haven’t posted the dates of all the performances of “What Stirs the Spring” (featuring “After Michelangelo”). They are as follows:
March 30th – 31st, 7.30 PM, at The Calder Bookshop Theatre in the Cut, SE1
April 1st – 3rd, 8 PM, at The Drill Hall
April 13th, 7.30 PM, at The Old Red Lion Theatre Pub, EC1
Don’t be square, be there!
Mar
8
What Stirs the Spring
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The dates and venue for “What Stirs the Spring” (featuring “After Michelangelo”) have now been announced. So the place to be is The Drill Hall, and the dates are April 1st to 3rd. This is what they have to say:
Following their success at Hampstead’s New End Theatre in December 2008, Camden-based young company Obstacle brings A Winter’s Chill into the New Year and a new season.
Performers Miles Barden and Joshua Dickinson present the work of two contemporary authors seeking to surpass the mystery of WW Jacobs and the monstrosity of Edgar Allan Poe with their own original, grisly legends.
See What Stirs the Spring when new commissions challenge old masters in the intimate atmosphere of The Drill Hall.
Suitable for those aged 12 and over.
Those two contemporary authors are Oscar Windsor-Smith and yours truly, BTW. And Jacobs and Poe? Pah! Has-beens, them two.
Dec
31
A Winter’s Chill Strikes Hampstead
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On Sunday I took the family along to the New End Theatre in Hampstead for an evening of chilling stories expertly told by Miles Barden and Joshua Dickinson (including a new version of my own piece, “After Michelangelo”), and we all had a great time. I’ll leave the review to the far more eloquent Oscar Windsor-Smith here, noting in passing that the show turned a profit, and that the team are actively looking for a venue for a further presentation prior to taking it to the Edinburgh Fringe. An excellent result all round, I’d say.
Nov
24
Ah, this is more like it. From the website of the New End Theatre, Hampstead, London:
Obstacle Productions presents
A WINTER’S CHILL
Including work written and inspired by Edgar Allan Poe, M. R. James, Janet Baldey and Jonathan PinnockPerformed by Miles Barden and Josh Dickenson
The spine-tingling horror of M. R. James combined with the mysterious monstrosity of Edgar Allan Poe to quicken your blood and addle your mind. In the depth of winter and the full dark of night these legends of terror alongside two entirely new, contemporary tales will be narrated in classic style by two connoisseurs of the art of storytelling. Experience the delight of true, full-blooded, psychological terror. Allow yourself to feel the shock of the supernatural and the unknown, and the fear of things that only lurk in the dark.
Suitable for ages 12 and above
Sunday 28 to Monday 29 December 2008
Sunday and Monday at 7:30pm
Tickets £10
So click away people!

