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	<id>https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?action=history&amp;feed=atom&amp;title=Monsterfield_Park</id>
	<title>Monsterfield Park - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?action=history&amp;feed=atom&amp;title=Monsterfield_Park"/>
	<link rel="alternate" type="text/html" href="https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;action=history"/>
	<updated>2026-04-10T04:53:16Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=818&amp;oldid=prev</id>
		<title>Jonathan at 12:03, 10 August 2011</title>
		<link rel="alternate" type="text/html" href="https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=818&amp;oldid=prev"/>
		<updated>2011-08-10T12:03:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:03, 10 August 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot; &gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Monsterfield Park&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the fifth novel by the English novelist [[Jane Austen]]. Published in 1811, it is generally regarded as a low point of her career, presaging &amp;#039;&amp;#039;[[Perversion]]&amp;#039;&amp;#039;&amp;#039;s descent into pornography and the subsequent controversy over &amp;#039;&amp;#039;[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[&lt;/del&gt;Pride and Prejudice&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]&lt;/del&gt;]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Monsterfield Park&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the fifth novel by the English novelist [[Jane Austen]]. Published in 1811, it is generally regarded as a low point of her career, presaging &amp;#039;&amp;#039;[[Perversion]]&amp;#039;&amp;#039;&amp;#039;s descent into pornography and the subsequent controversy over &amp;#039;&amp;#039;[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;http://en.wikipedia.org/wiki/Pride_and_prejudice &lt;/ins&gt;Pride and Prejudice]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The plot revolves around Fanny Price, a young girl from a relatively poor family who is raised by her rich uncle and aunt, Sir Thomas and Lady Bertram, at Monsterfield Park. She grows up with her four cousins, Tom, Edmund, Maria and Julia Bertram. All four are spoiled in comparison to her and the only one who treats her with any kindness is Edmund. When the children are all grown up, Sir Thomas leaves for a year to look after his marijuana plantation in Antigua. Shortly afterwards, the worldly Henry Crawford and his sister Mary arrive and begin to flirt with the Bertrams, although Fanny has concerns that they may in fact be zombies.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The plot revolves around Fanny Price, a young girl from a relatively poor family who is raised by her rich uncle and aunt, Sir Thomas and Lady Bertram, at Monsterfield Park. She grows up with her four cousins, Tom, Edmund, Maria and Julia Bertram. All four are spoiled in comparison to her and the only one who treats her with any kindness is Edmund. When the children are all grown up, Sir Thomas leaves for a year to look after his marijuana plantation in Antigua. Shortly afterwards, the worldly Henry Crawford and his sister Mary arrive and begin to flirt with the Bertrams, although Fanny has concerns that they may in fact be zombies.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jonathan</name></author>
		
	</entry>
	<entry>
		<id>https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=679&amp;oldid=prev</id>
		<title>Jonathan at 22:30, 30 June 2011</title>
		<link rel="alternate" type="text/html" href="https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=679&amp;oldid=prev"/>
		<updated>2011-06-30T22:30:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 22:30, 30 June 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot; &gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;More recently, [http://en.wikipedia.org/wiki/Jj_abrams J J Abrams&amp;#039;] 2008 blockbuster &amp;#039;&amp;#039;[[Monsterfield]]&amp;#039;&amp;#039; attempted to spice up the desperately thin storyline by shooting with handheld cameras. However, the resulting class action by audience members suffering from extreme motion sickness is rumoured to have wiped out the entire profits of the production. It is probably best to draw a veil over the very latest adaptation, &amp;#039;&amp;#039;[[Zombies in Big Momma&amp;#039;s House]]&amp;#039;&amp;#039; (2011), whilst noting that it won a special award at the [http://en.wikipedia.org/wiki/Golden_Raspberry_Award Golden Raspberries] for the&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;More recently, [http://en.wikipedia.org/wiki/Jj_abrams J J Abrams&amp;#039;] 2008 blockbuster &amp;#039;&amp;#039;[[Monsterfield]]&amp;#039;&amp;#039; attempted to spice up the desperately thin storyline by shooting with handheld cameras. However, the resulting class action by audience members suffering from extreme motion sickness is rumoured to have wiped out the entire profits of the production. It is probably best to draw a veil over the very latest adaptation, &amp;#039;&amp;#039;[[Zombies in Big Momma&amp;#039;s House]]&amp;#039;&amp;#039; (2011), whilst noting that it won a special award at the [http://en.wikipedia.org/wiki/Golden_Raspberry_Award Golden Raspberries] for the&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{quote|worst instalment yet in an already &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;desperately &lt;/del&gt;bad franchise.{{citation needed}}}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{quote|worst instalment yet in an already &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;horrifically &lt;/ins&gt;bad franchise.{{citation needed}}}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is also noted for being the only one of Austen&amp;#039;s works to have been turned into an opera. &amp;#039;&amp;#039;[[I Coli]]&amp;#039;&amp;#039; (1878) by the Italian composer &amp;#039;&amp;#039;[[Giacomo Rigatoni]]&amp;#039;&amp;#039; relocates the action to ancient Egypt for no good reason and is notable for the aria &amp;#039;&amp;#039;[[La tua manina è scesa al largo]]&amp;#039;&amp;#039; (&amp;quot;Your tiny hand has dropped off&amp;quot;).&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is also noted for being the only one of Austen&amp;#039;s works to have been turned into an opera. &amp;#039;&amp;#039;[[I Coli]]&amp;#039;&amp;#039; (1878) by the Italian composer &amp;#039;&amp;#039;[[Giacomo Rigatoni]]&amp;#039;&amp;#039; relocates the action to ancient Egypt for no good reason and is notable for the aria &amp;#039;&amp;#039;[[La tua manina è scesa al largo]]&amp;#039;&amp;#039; (&amp;quot;Your tiny hand has dropped off&amp;quot;).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jonathan</name></author>
		
	</entry>
	<entry>
		<id>https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=678&amp;oldid=prev</id>
		<title>Jonathan at 20:52, 28 June 2011</title>
		<link rel="alternate" type="text/html" href="https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=678&amp;oldid=prev"/>
		<updated>2011-06-28T20:52:20Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:52, 28 June 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l25&quot; &gt;Line 25:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 25:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The plot revolves around Fanny Price, a young girl from a relatively poor family who is raised by her rich uncle and aunt, Sir Thomas and Lady Bertram, at Monsterfield Park. She grows up with her four cousins, Tom, Edmund, Maria and Julia Bertram. All four are spoiled in comparison to her and the only one who treats her with any kindness is Edmund. When the children are all grown up, Sir Thomas leaves for a year to look after his marijuana plantation in Antigua. Shortly afterwards, the worldly Henry Crawford and his sister Mary arrive and begin to flirt with the Bertrams, although Fanny has concerns that they may in fact be zombies.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The plot revolves around Fanny Price, a young girl from a relatively poor family who is raised by her rich uncle and aunt, Sir Thomas and Lady Bertram, at Monsterfield Park. She grows up with her four cousins, Tom, Edmund, Maria and Julia Bertram. All four are spoiled in comparison to her and the only one who treats her with any kindness is Edmund. When the children are all grown up, Sir Thomas leaves for a year to look after his marijuana plantation in Antigua. Shortly afterwards, the worldly Henry Crawford and his sister Mary arrive and begin to flirt with the Bertrams, although Fanny has concerns that they may in fact be zombies.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At this point, the novel leaves behind any sense of conventional narrative far behind, to the extent that several commentators have suggested that the disparaging reference to Sir Thomas&amp;#039; plantation may be less of an indication of Austen&amp;#039;s disapproval of the slave trade than a hint of whatever Austen was having to consume in order to keep up with her editor&amp;#039;s punishing schedule. Suffice to say that there is much bloodletting and savagery before all is resolved during an ill-fated amateur production of [[Elizabeth Baldinch]]&amp;#039;s play &amp;#039;&amp;#039;[[The Lovely Vowels]]&amp;#039;&amp;#039; (&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a curious &lt;/del&gt;meditation on grammar after death), during which the Crawfords are despatched and Edmund finally gets his hands on Fanny.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At this point, the novel leaves behind any sense of conventional narrative far behind, to the extent that several commentators have suggested that the disparaging reference to Sir Thomas&amp;#039; plantation may be less of an indication of Austen&amp;#039;s disapproval of the slave trade than a hint of whatever Austen was having to consume in order to keep up with her editor&amp;#039;s punishing schedule. Suffice to say that there is much bloodletting and savagery before all is resolved during an ill-fated amateur production of [[Elizabeth Baldinch]]&amp;#039;s play &amp;#039;&amp;#039;[[The Lovely Vowels]]&amp;#039;&amp;#039; (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;an unusual &lt;/ins&gt;meditation on grammar after death), during which the Crawfords are despatched and Edmund finally gets his hands on Fanny.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Curiously, the book has been adapted for the cinema more often than any other Austen novel, perhaps because the very lack of a plot makes it easier for each interpreter to project their own particular concerns onto the story. The most famous adaptation is the 1966 musical &amp;#039;&amp;#039;[[The Price of Fanny (or Fanny at any Price)]]&amp;#039;&amp;#039; starring [http://en.wikipedia.org/wiki/Tommy_Steele Tommy Steele] and featuring songs by [http://en.wikipedia.org/wiki/Anthony_Newley Anthony Newley], including the much-loved &amp;#039;&amp;#039;[[I Saw a Zombie in Carnaby Street]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Curiously, the book has been adapted for the cinema more often than any other Austen novel, perhaps because the very lack of a plot makes it easier for each interpreter to project their own particular concerns onto the story. The most famous adaptation is the 1966 musical &amp;#039;&amp;#039;[[The Price of Fanny (or Fanny at any Price)]]&amp;#039;&amp;#039; starring [http://en.wikipedia.org/wiki/Tommy_Steele Tommy Steele] and featuring songs by [http://en.wikipedia.org/wiki/Anthony_Newley Anthony Newley], including the much-loved &amp;#039;&amp;#039;[[I Saw a Zombie in Carnaby Street]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jonathan</name></author>
		
	</entry>
	<entry>
		<id>https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=677&amp;oldid=prev</id>
		<title>Jonathan: /* Critical appraisal */</title>
		<link rel="alternate" type="text/html" href="https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=677&amp;oldid=prev"/>
		<updated>2011-06-28T20:04:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Critical appraisal&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:04, 28 June 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l37&quot; &gt;Line 37:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 37:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical appraisal==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical appraisal==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Monsterfield Park&amp;#039;&amp;#039; was savaged by the critics. Even [[Joseph Robert Brighouse]], who could usually &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;rely on &lt;/del&gt;to defend Austen, commented that&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Monsterfield Park&amp;#039;&amp;#039; was savaged by the critics. Even [[Joseph Robert Brighouse]], who could usually &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;be relied upon &lt;/ins&gt;to defend Austen, commented that&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{quote|I would rather MASTICATE my own EARLOBES than wade through any more of this EXCREMENT.}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{quote|I would rather MASTICATE my own EARLOBES than wade through any more of this EXCREMENT.}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jonathan</name></author>
		
	</entry>
	<entry>
		<id>https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=676&amp;oldid=prev</id>
		<title>Jonathan at 20:00, 28 June 2011</title>
		<link rel="alternate" type="text/html" href="https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=676&amp;oldid=prev"/>
		<updated>2011-06-28T20:00:12Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:00, 28 June 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot; &gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Monsterfield Park&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the fifth novel by the English novelist [[Jane Austen]]. Published in 1811, it is generally regarded as a low point of her career, presaging &amp;#039;&amp;#039;[[Perversion]]&amp;#039;&amp;#039;&amp;#039;s descent into pornography and the subsequent controversy over &amp;#039;&amp;#039;[[Pride and Prejudice]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Monsterfield Park&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the fifth novel by the English novelist [[Jane Austen]]. Published in 1811, it is generally regarded as a low point of her career, presaging &amp;#039;&amp;#039;[[Perversion]]&amp;#039;&amp;#039;&amp;#039;s descent into pornography and the subsequent controversy over &amp;#039;&amp;#039;[[Pride and Prejudice]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The plot revolves around Fanny Price, a young girl from a relatively poor family who is raised by her rich uncle and aunt, Sir Thomas and Lady Bertram, at Monsterfield Park. She grows up with her four cousins, Tom, Edmund, Maria and Julia Bertram. All four are spoiled in comparison to her and the only one who treats her with any kindness is Edmund. When the children are all grown up, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Sit &lt;/del&gt;Thomas leaves for a year to look after his marijuana plantation in Antigua. Shortly afterwards, the worldly Henry Crawford and his sister Mary arrive and begin to flirt with the Bertrams, although Fanny has concerns that they may in fact be zombies.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The plot revolves around Fanny Price, a young girl from a relatively poor family who is raised by her rich uncle and aunt, Sir Thomas and Lady Bertram, at Monsterfield Park. She grows up with her four cousins, Tom, Edmund, Maria and Julia Bertram. All four are spoiled in comparison to her and the only one who treats her with any kindness is Edmund. When the children are all grown up, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sir &lt;/ins&gt;Thomas leaves for a year to look after his marijuana plantation in Antigua. Shortly afterwards, the worldly Henry Crawford and his sister Mary arrive and begin to flirt with the Bertrams, although Fanny has concerns that they may in fact be zombies.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At this point, the novel leaves behind any sense of conventional narrative far behind, to the extent that several commentators have suggested that the reference to Sir Thomas&amp;#039; plantation may &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;contain &lt;/del&gt;a hint of whatever Austen was &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;consuming &lt;/del&gt;in order to keep up with her editor&amp;#039;s punishing schedule. Suffice to say that there is much bloodletting and savagery before all is resolved during an ill-fated amateur production of [[Elizabeth Baldinch]]&amp;#039;s play &amp;#039;&amp;#039;[[The Lovely Vowels]]&amp;#039;&amp;#039; (a curious meditation on grammar after death), during which the Crawfords are despatched and Edmund finally gets his hands on Fanny.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At this point, the novel leaves behind any sense of conventional narrative far behind, to the extent that several commentators have suggested that the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;disparaging &lt;/ins&gt;reference to Sir Thomas&amp;#039; plantation may &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;be less of an indication of Austen&amp;#039;s disapproval of the slave trade than &lt;/ins&gt;a hint of whatever Austen was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;having to consume &lt;/ins&gt;in order to keep up with her editor&amp;#039;s punishing schedule. Suffice to say that there is much bloodletting and savagery before all is resolved during an ill-fated amateur production of [[Elizabeth Baldinch]]&amp;#039;s play &amp;#039;&amp;#039;[[The Lovely Vowels]]&amp;#039;&amp;#039; (a curious meditation on grammar after death), during which the Crawfords are despatched and Edmund finally gets his hands on Fanny.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Curiously, the book has been adapted for the cinema more often than any other Austen novel, perhaps because the very lack of a plot makes it easier for each interpreter to project their own particular concerns onto the story. The most famous adaptation is the 1966 musical &amp;#039;&amp;#039;[[The Price of Fanny (or Fanny at any Price)]]&amp;#039;&amp;#039; starring [http://en.wikipedia.org/wiki/Tommy_Steele Tommy Steele] and featuring songs by [http://en.wikipedia.org/wiki/Anthony_Newley Anthony Newley], including the much-loved &amp;#039;&amp;#039;[[I Saw a Zombie in Carnaby Street]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Curiously, the book has been adapted for the cinema more often than any other Austen novel, perhaps because the very lack of a plot makes it easier for each interpreter to project their own particular concerns onto the story. The most famous adaptation is the 1966 musical &amp;#039;&amp;#039;[[The Price of Fanny (or Fanny at any Price)]]&amp;#039;&amp;#039; starring [http://en.wikipedia.org/wiki/Tommy_Steele Tommy Steele] and featuring songs by [http://en.wikipedia.org/wiki/Anthony_Newley Anthony Newley], including the much-loved &amp;#039;&amp;#039;[[I Saw a Zombie in Carnaby Street]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jonathan</name></author>
		
	</entry>
	<entry>
		<id>https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=675&amp;oldid=prev</id>
		<title>Jonathan at 19:57, 28 June 2011</title>
		<link rel="alternate" type="text/html" href="https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=675&amp;oldid=prev"/>
		<updated>2011-06-28T19:57:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:57, 28 June 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot; &gt;Line 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At this point, the novel leaves behind any sense of conventional narrative far behind, to the extent that several commentators have suggested that the reference to Sir Thomas&amp;#039; plantation may contain a hint of whatever Austen was consuming in order to keep up with her editor&amp;#039;s punishing schedule. Suffice to say that there is much bloodletting and savagery before all is resolved during an ill-fated amateur production of [[Elizabeth Baldinch]]&amp;#039;s play &amp;#039;&amp;#039;[[The Lovely Vowels]]&amp;#039;&amp;#039; (a curious meditation on grammar after death), during which the Crawfords are despatched and Edmund finally gets his hands on Fanny.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At this point, the novel leaves behind any sense of conventional narrative far behind, to the extent that several commentators have suggested that the reference to Sir Thomas&amp;#039; plantation may contain a hint of whatever Austen was consuming in order to keep up with her editor&amp;#039;s punishing schedule. Suffice to say that there is much bloodletting and savagery before all is resolved during an ill-fated amateur production of [[Elizabeth Baldinch]]&amp;#039;s play &amp;#039;&amp;#039;[[The Lovely Vowels]]&amp;#039;&amp;#039; (a curious meditation on grammar after death), during which the Crawfords are despatched and Edmund finally gets his hands on Fanny.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Curiously, the book has been adapted for the cinema more often than any other Austen novel, perhaps because the very lack of a plot makes it easier for each interpreter to project their own particular concerns onto the story. The most famous adaptation is the 1966 musical &amp;#039;&amp;#039;[[The Price of Fanny (or Fanny at any Price)]]&amp;#039;&amp;#039; starring [http://en.wikipedia.org/wiki/Tommy_Steele Tommy Steele] and featuring songs by [http://en.wikipedia.org/wiki/Anthony_Newley Anthony Newley], including the much-loved &amp;#039;&amp;#039;[[I &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;saw &lt;/del&gt;a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;zombie &lt;/del&gt;in Carnaby Street]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Curiously, the book has been adapted for the cinema more often than any other Austen novel, perhaps because the very lack of a plot makes it easier for each interpreter to project their own particular concerns onto the story. The most famous adaptation is the 1966 musical &amp;#039;&amp;#039;[[The Price of Fanny (or Fanny at any Price)]]&amp;#039;&amp;#039; starring [http://en.wikipedia.org/wiki/Tommy_Steele Tommy Steele] and featuring songs by [http://en.wikipedia.org/wiki/Anthony_Newley Anthony Newley], including the much-loved &amp;#039;&amp;#039;[[I &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Saw &lt;/ins&gt;a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Zombie &lt;/ins&gt;in Carnaby Street]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;More recently, [http://en.wikipedia.org/wiki/Jj_abrams J J Abrams&amp;#039;] 2008 blockbuster &amp;#039;&amp;#039;[[Monsterfield]]&amp;#039;&amp;#039; attempted to spice up the desperately thin storyline by shooting with handheld cameras. However, the resulting class action by audience members suffering from extreme motion sickness is rumoured to have wiped out the entire profits of the production. It is probably best to draw a veil over the very latest adaptation, &amp;#039;&amp;#039;[[Zombies in Big Momma&amp;#039;s House]]&amp;#039;&amp;#039; (2011), whilst noting that it won a special award at the [http://en.wikipedia.org/wiki/Golden_Raspberry_Award Golden Raspberries] for the&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;More recently, [http://en.wikipedia.org/wiki/Jj_abrams J J Abrams&amp;#039;] 2008 blockbuster &amp;#039;&amp;#039;[[Monsterfield]]&amp;#039;&amp;#039; attempted to spice up the desperately thin storyline by shooting with handheld cameras. However, the resulting class action by audience members suffering from extreme motion sickness is rumoured to have wiped out the entire profits of the production. It is probably best to draw a veil over the very latest adaptation, &amp;#039;&amp;#039;[[Zombies in Big Momma&amp;#039;s House]]&amp;#039;&amp;#039; (2011), whilst noting that it won a special award at the [http://en.wikipedia.org/wiki/Golden_Raspberry_Award Golden Raspberries] for the&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jonathan</name></author>
		
	</entry>
	<entry>
		<id>https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=674&amp;oldid=prev</id>
		<title>Jonathan: /* Critical appraisal */</title>
		<link rel="alternate" type="text/html" href="https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=674&amp;oldid=prev"/>
		<updated>2011-06-28T19:56:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Critical appraisal&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:56, 28 June 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l37&quot; &gt;Line 37:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 37:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical appraisal==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical appraisal==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Monsterfield Park&amp;#039;&amp;#039; was savaged by the critics. Even [[Joseph Robert Brighouse]], who &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Austen &lt;/del&gt;could usually rely on to defend &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;her&lt;/del&gt;, commented that&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Monsterfield Park&amp;#039;&amp;#039; was savaged by the critics. Even [[Joseph Robert Brighouse]], who could usually rely on to defend &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Austen&lt;/ins&gt;, commented that&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{quote|I would rather MASTICATE my own EARLOBES than wade through any more of this EXCREMENT.}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{quote|I would rather MASTICATE my own EARLOBES than wade through any more of this EXCREMENT.}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jonathan</name></author>
		
	</entry>
	<entry>
		<id>https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=673&amp;oldid=prev</id>
		<title>Jonathan at 19:56, 28 June 2011</title>
		<link rel="alternate" type="text/html" href="https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=673&amp;oldid=prev"/>
		<updated>2011-06-28T19:56:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:56, 28 June 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l25&quot; &gt;Line 25:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 25:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The plot revolves around Fanny Price, a young girl from a relatively poor family who is raised by her rich uncle and aunt, Sir Thomas and Lady Bertram, at Monsterfield Park. She grows up with her four cousins, Tom, Edmund, Maria and Julia Bertram. All four are spoiled in comparison to her and the only one who treats her with any kindness is Edmund. When the children are all grown up, Sit Thomas leaves for a year to look after his marijuana plantation in Antigua. Shortly afterwards, the worldly Henry Crawford and his sister Mary arrive and begin to flirt with the Bertrams, although Fanny has concerns that they may in fact be zombies.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The plot revolves around Fanny Price, a young girl from a relatively poor family who is raised by her rich uncle and aunt, Sir Thomas and Lady Bertram, at Monsterfield Park. She grows up with her four cousins, Tom, Edmund, Maria and Julia Bertram. All four are spoiled in comparison to her and the only one who treats her with any kindness is Edmund. When the children are all grown up, Sit Thomas leaves for a year to look after his marijuana plantation in Antigua. Shortly afterwards, the worldly Henry Crawford and his sister Mary arrive and begin to flirt with the Bertrams, although Fanny has concerns that they may in fact be zombies.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At this point, the novel leaves behind any sense of conventional narrative far behind, to the extent that several commentators have suggested that the reference to Sir Thomas&amp;#039; plantation may contain a hint of whatever Austen was consuming in order to keep up with her editor&amp;#039;s punishing schedule. Suffice to say that there is much bloodletting and savagery before all is resolved during an ill-fated amateur production of Elizabeth &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Inchbald&lt;/del&gt;&amp;#039;s play &amp;#039;&amp;#039;[[The Lovely Vowels]]&amp;#039;&amp;#039; (a curious meditation on grammar after death), during which the Crawfords are despatched and Edmund finally gets his hands on Fanny.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At this point, the novel leaves behind any sense of conventional narrative far behind, to the extent that several commentators have suggested that the reference to Sir Thomas&amp;#039; plantation may contain a hint of whatever Austen was consuming in order to keep up with her editor&amp;#039;s punishing schedule. Suffice to say that there is much bloodletting and savagery before all is resolved during an ill-fated amateur production of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Elizabeth &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Baldinch]]&lt;/ins&gt;&amp;#039;s play &amp;#039;&amp;#039;[[The Lovely Vowels]]&amp;#039;&amp;#039; (a curious meditation on grammar after death), during which the Crawfords are despatched and Edmund finally gets his hands on Fanny.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Curiously, the book has been adapted for the cinema more &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;times &lt;/del&gt;than any other Austen novel, perhaps because the very lack of a plot makes it easier for each interpreter to project their own particular concerns onto the story. The most famous adaptation is the 1966 musical &amp;#039;&amp;#039;[[The Price of Fanny (or Fanny at any Price)]]&amp;#039;&amp;#039; starring [http://en.wikipedia.org/wiki/Tommy_Steele Tommy Steele] and featuring songs by [http://en.wikipedia.org/wiki/Anthony_Newley Anthony Newley], including the much-loved &amp;#039;&amp;#039;[[I saw a zombie in Carnaby Street]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Curiously, the book has been adapted for the cinema more &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;often &lt;/ins&gt;than any other Austen novel, perhaps because the very lack of a plot makes it easier for each interpreter to project their own particular concerns onto the story. The most famous adaptation is the 1966 musical &amp;#039;&amp;#039;[[The Price of Fanny (or Fanny at any Price)]]&amp;#039;&amp;#039; starring [http://en.wikipedia.org/wiki/Tommy_Steele Tommy Steele] and featuring songs by [http://en.wikipedia.org/wiki/Anthony_Newley Anthony Newley], including the much-loved &amp;#039;&amp;#039;[[I saw a zombie in Carnaby Street]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;More recently, [http://en.wikipedia.org/wiki/Jj_abrams J J Abrams&amp;#039;] 2008 blockbuster &amp;#039;&amp;#039;[[Monsterfield]]&amp;#039;&amp;#039; attempted to spice up the desperately thin storyline by shooting with handheld cameras. However, the resulting class action by audience members suffering from extreme motion sickness is rumoured to have wiped out the entire profits of the production. It is probably best to draw a veil over the very latest adaptation, &amp;#039;&amp;#039;[[Zombies in Big Momma&amp;#039;s House]]&amp;#039;&amp;#039; (2011), whilst noting that it won a special award at the [http://en.wikipedia.org/wiki/Golden_Raspberry_Award Golden Raspberries] for the&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;More recently, [http://en.wikipedia.org/wiki/Jj_abrams J J Abrams&amp;#039;] 2008 blockbuster &amp;#039;&amp;#039;[[Monsterfield]]&amp;#039;&amp;#039; attempted to spice up the desperately thin storyline by shooting with handheld cameras. However, the resulting class action by audience members suffering from extreme motion sickness is rumoured to have wiped out the entire profits of the production. It is probably best to draw a veil over the very latest adaptation, &amp;#039;&amp;#039;[[Zombies in Big Momma&amp;#039;s House]]&amp;#039;&amp;#039; (2011), whilst noting that it won a special award at the [http://en.wikipedia.org/wiki/Golden_Raspberry_Award Golden Raspberries] for the&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jonathan</name></author>
		
	</entry>
	<entry>
		<id>https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=672&amp;oldid=prev</id>
		<title>Jonathan at 19:54, 28 June 2011</title>
		<link rel="alternate" type="text/html" href="https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=672&amp;oldid=prev"/>
		<updated>2011-06-28T19:54:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:54, 28 June 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot; &gt;Line 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At this point, the novel leaves behind any sense of conventional narrative far behind, to the extent that several commentators have suggested that the reference to Sir Thomas&amp;#039; plantation may contain a hint of whatever Austen was consuming in order to keep up with her editor&amp;#039;s punishing schedule. Suffice to say that there is much bloodletting and savagery before all is resolved during an ill-fated amateur production of Elizabeth Inchbald&amp;#039;s play &amp;#039;&amp;#039;[[The Lovely Vowels]]&amp;#039;&amp;#039; (a curious meditation on grammar after death), during which the Crawfords are despatched and Edmund finally gets his hands on Fanny.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At this point, the novel leaves behind any sense of conventional narrative far behind, to the extent that several commentators have suggested that the reference to Sir Thomas&amp;#039; plantation may contain a hint of whatever Austen was consuming in order to keep up with her editor&amp;#039;s punishing schedule. Suffice to say that there is much bloodletting and savagery before all is resolved during an ill-fated amateur production of Elizabeth Inchbald&amp;#039;s play &amp;#039;&amp;#039;[[The Lovely Vowels]]&amp;#039;&amp;#039; (a curious meditation on grammar after death), during which the Crawfords are despatched and Edmund finally gets his hands on Fanny.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The &lt;/del&gt;book has been adapted for the cinema &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;on several occasions&lt;/del&gt;, most &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;notably as &lt;/del&gt;[http://en.wikipedia.org/wiki/Jj_abrams J J Abrams&amp;#039;] 2008 blockbuster &amp;#039;&amp;#039;[[Monsterfield]]&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, which &lt;/del&gt;attempted to spice up the desperately thin storyline by shooting with handheld cameras. However, the resulting class action by audience members suffering from extreme motion sickness is rumoured to have wiped out the entire profits of the production. It is probably best to draw a veil over the very latest adaptation, &amp;#039;&amp;#039;[[Zombies in Big Momma&amp;#039;s House]]&amp;#039;&amp;#039; (2011), whilst noting that it won a special award at the [http://en.wikipedia.org/wiki/Golden_Raspberry_Award Golden Raspberries] for the&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Curiously, the &lt;/ins&gt;book has been adapted for the cinema &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;more times than any other Austen novel&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;perhaps because the very lack of a plot makes it easier for each interpreter to project their own particular concerns onto the story. The &lt;/ins&gt;most &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;famous adaptation is the 1966 musical &amp;#039;&amp;#039;[[The Price of Fanny (or Fanny at any Price)]]&amp;#039;&amp;#039; starring [http://en.wikipedia.org/wiki/Tommy_Steele Tommy Steele] and featuring songs by [http://en.wikipedia.org/wiki/Anthony_Newley Anthony Newley], including the much-loved &amp;#039;&amp;#039;[[I saw a zombie in Carnaby Street]]&amp;#039;&amp;#039;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;More recently, &lt;/ins&gt;[http://en.wikipedia.org/wiki/Jj_abrams J J Abrams&amp;#039;] 2008 blockbuster &amp;#039;&amp;#039;[[Monsterfield]]&amp;#039;&amp;#039; attempted to spice up the desperately thin storyline by shooting with handheld cameras. However, the resulting class action by audience members suffering from extreme motion sickness is rumoured to have wiped out the entire profits of the production. It is probably best to draw a veil over the very latest adaptation, &amp;#039;&amp;#039;[[Zombies in Big Momma&amp;#039;s House]]&amp;#039;&amp;#039; (2011), whilst noting that it won a special award at the [http://en.wikipedia.org/wiki/Golden_Raspberry_Award Golden Raspberries] for the&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{quote|worst instalment yet in an already desperately bad franchise.{{citation needed}}}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{quote|worst instalment yet in an already desperately bad franchise.{{citation needed}}}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is also noted for being the only one of Austen&amp;#039;s works to have been turned into an opera. &amp;#039;&amp;#039;[[I Coli]]&amp;#039;&amp;#039; (1878) by the Italian composer &amp;#039;&amp;#039;[[Giacomo Rigatoni]]&amp;#039;&amp;#039; relocates the action to ancient Egypt for no good reason&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;and is notable for the aria &amp;#039;&amp;#039;[[La tua manina è scesa al largo]]&amp;#039;&amp;#039; (&amp;quot;Your tiny hand has dropped off&amp;quot;).&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is also noted for being the only one of Austen&amp;#039;s works to have been turned into an opera. &amp;#039;&amp;#039;[[I Coli]]&amp;#039;&amp;#039; (1878) by the Italian composer &amp;#039;&amp;#039;[[Giacomo Rigatoni]]&amp;#039;&amp;#039; relocates the action to ancient Egypt for no good reason and is notable for the aria &amp;#039;&amp;#039;[[La tua manina è scesa al largo]]&amp;#039;&amp;#039; (&amp;quot;Your tiny hand has dropped off&amp;quot;).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical appraisal==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical appraisal==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l41&quot; &gt;Line 41:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 43:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See also==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See also==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[The Price of Fanny (or Fanny at any Price) (film)|&amp;#039;&amp;#039;The Price of Fanny (or Fanny at any Price)&amp;#039;&amp;#039; (film)]]&amp;#039;&amp;#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Monsterfield (film)|&amp;#039;&amp;#039;Monsterfield&amp;#039;&amp;#039; (film)]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Monsterfield (film)|&amp;#039;&amp;#039;Monsterfield&amp;#039;&amp;#039; (film)]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Zombies in Big Momma&amp;#039;s House (film)|&amp;#039;&amp;#039;Zombies in Big Momma&amp;#039;s House&amp;#039;&amp;#039; (film)]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Zombies in Big Momma&amp;#039;s House (film)|&amp;#039;&amp;#039;Zombies in Big Momma&amp;#039;s House&amp;#039;&amp;#039; (film)]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jonathan</name></author>
		
	</entry>
	<entry>
		<id>https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=671&amp;oldid=prev</id>
		<title>Jonathan at 19:33, 28 June 2011</title>
		<link rel="alternate" type="text/html" href="https://www.jonathanpinnock.com/wiki_mrsdarcy/index.php?title=Monsterfield_Park&amp;diff=671&amp;oldid=prev"/>
		<updated>2011-06-28T19:33:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:33, 28 June 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot; &gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Monsterfield Park&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the fifth novel by the English novelist [[Jane Austen]]. Published in 1811, it is generally regarded as a low point of her career, presaging &amp;#039;&amp;#039;[[Perversion]]&amp;#039;&amp;#039;&amp;#039;s descent into pornography and the subsequent controversy over &amp;#039;&amp;#039;[[Pride and Prejudice]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Monsterfield Park&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is the fifth novel by the English novelist [[Jane Austen]]. Published in 1811, it is generally regarded as a low point of her career, presaging &amp;#039;&amp;#039;[[Perversion]]&amp;#039;&amp;#039;&amp;#039;s descent into pornography and the subsequent controversy over &amp;#039;&amp;#039;[[Pride and Prejudice]]&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The plot revolves around Fanny Price, a young girl from a relatively poor family&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;who is raised by her rich uncle and aunt, Sir Thomas and Lady Bertram, at Monsterfield Park. She grows up with her four cousins, Tom, Edmund, Maria and Julia Bertram. All four are spoiled in comparison to her and the only one who treats her with any kindness is Edmund. When the children are all grown up, Sit Thomas leaves for a year to look after his marijuana plantation in Antigua. Shortly afterwards, the worldly Henry Crawford and his sister Mary arrive and begin to flirt with the Bertrams, although Fanny has concerns that they may in fact be zombies.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The plot revolves around Fanny Price, a young girl from a relatively poor family who is raised by her rich uncle and aunt, Sir Thomas and Lady Bertram, at Monsterfield Park. She grows up with her four cousins, Tom, Edmund, Maria and Julia Bertram. All four are spoiled in comparison to her and the only one who treats her with any kindness is Edmund. When the children are all grown up, Sit Thomas leaves for a year to look after his marijuana plantation in Antigua. Shortly afterwards, the worldly Henry Crawford and his sister Mary arrive and begin to flirt with the Bertrams, although Fanny has concerns that they may in fact be zombies.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At this point, the novel leaves behind any sense of conventional narrative far behind, to the extent that several commentators have suggested that the reference to Sir Thomas&amp;#039; plantation may contain a hint of whatever Austen was consuming in order to keep up with her &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;publisher&lt;/del&gt;&amp;#039;s punishing schedule. Suffice to say that there is much bloodletting and savagery before all is resolved during an ill-fated amateur production of Elizabeth Inchbald&amp;#039;s play &amp;#039;&amp;#039;[[The Lovely Vowels]]&amp;#039;&amp;#039; (a curious meditation on grammar after death), during which the Crawfords are despatched and Edmund gets his hands on Fanny.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At this point, the novel leaves behind any sense of conventional narrative far behind, to the extent that several commentators have suggested that the reference to Sir Thomas&amp;#039; plantation may contain a hint of whatever Austen was consuming in order to keep up with her &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;editor&lt;/ins&gt;&amp;#039;s punishing schedule. Suffice to say that there is much bloodletting and savagery before all is resolved during an ill-fated amateur production of Elizabeth Inchbald&amp;#039;s play &amp;#039;&amp;#039;[[The Lovely Vowels]]&amp;#039;&amp;#039; (a curious meditation on grammar after death), during which the Crawfords are despatched and Edmund &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;finally &lt;/ins&gt;gets his hands on Fanny.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The book has been adapted for the cinema on several occasions, most notably as [http://en.wikipedia.org/wiki/Jj_abrams J J Abrams&amp;#039;] 2008 blockbuster &amp;#039;&amp;#039;[[Monsterfield]]&amp;#039;&amp;#039;, which attempted to spice up the desperately thin storyline by shooting with handheld cameras. However, the resulting class action by audience members suffering from extreme motion sickness is rumoured to have wiped out the entire profits of the production. It is probably best to draw a veil over the very latest adaptation, &amp;#039;&amp;#039;[[Zombies in Big Momma&amp;#039;s House]]&amp;#039;&amp;#039; (2011), whilst noting that it won a special award at the [http://en.wikipedia.org/wiki/Golden_Raspberry_Award Golden Raspberries] for the&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The book has been adapted for the cinema on several occasions, most notably as [http://en.wikipedia.org/wiki/Jj_abrams J J Abrams&amp;#039;] 2008 blockbuster &amp;#039;&amp;#039;[[Monsterfield]]&amp;#039;&amp;#039;, which attempted to spice up the desperately thin storyline by shooting with handheld cameras. However, the resulting class action by audience members suffering from extreme motion sickness is rumoured to have wiped out the entire profits of the production. It is probably best to draw a veil over the very latest adaptation, &amp;#039;&amp;#039;[[Zombies in Big Momma&amp;#039;s House]]&amp;#039;&amp;#039; (2011), whilst noting that it won a special award at the [http://en.wikipedia.org/wiki/Golden_Raspberry_Award Golden Raspberries] for the&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot; &gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{quote|worst instalment yet in an already desperately bad franchise.{{citation needed}}}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{quote|worst instalment yet in an already desperately bad franchise.{{citation needed}}}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is also noted for being the only one of Austen&amp;#039;s works to have been turned into an opera. &amp;#039;&amp;#039;[[I Coli]]&amp;#039;&amp;#039; (1878) by the Italian composer &amp;#039;&amp;#039;[[Giacomo Rigatoni]]&amp;#039;&amp;#039; relocates the action to ancient Egypt, and is notable for the aria &amp;#039;&amp;#039;[[La tua manina è scesa al largo]]&amp;#039;&amp;#039; (&amp;quot;Your tiny hand has dropped off&amp;quot;).&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is also noted for being the only one of Austen&amp;#039;s works to have been turned into an opera. &amp;#039;&amp;#039;[[I Coli]]&amp;#039;&amp;#039; (1878) by the Italian composer &amp;#039;&amp;#039;[[Giacomo Rigatoni]]&amp;#039;&amp;#039; relocates the action to ancient Egypt &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;for no good reason&lt;/ins&gt;, and is notable for the aria &amp;#039;&amp;#039;[[La tua manina è scesa al largo]]&amp;#039;&amp;#039; (&amp;quot;Your tiny hand has dropped off&amp;quot;).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical appraisal==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical appraisal==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Monsterfield Park&amp;#039;&amp;#039; was savaged by the critics. Even [[Joseph Robert Brighouse]], who Austen could usually rely on to defend her, commented that&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Monsterfield Park&amp;#039;&amp;#039; was savaged by the critics. Even [[Joseph Robert Brighouse]], who Austen could usually rely on to defend her, commented that&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jonathan</name></author>
		
	</entry>
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