[Thought I’d have a bit of rant every now and then to liven things up. I’d be interested to see what you think.]
We live in strange times. William Boyd’s Bond novel, “Solo”, is just about to be published, following in the footsteps of – amongst a surprising number of others – Sebastian Faulks and Jeffrey Deaver. Sophie Hannah has recently been commissioned by the Agatha Christie estate to write a new Hercule Poirot novel. This isn’t by any means a new phenomenon. After all, “Virginia Andrews” has churned out considerably more novels since her death than prior to it. (BTW Did you realise there were quite that many? I didn’t. Whew.) But there seems to be more of it about now than there used to be.
Here’s what’s bothering me.
I have no problem with the idea of taking an existing character or set of characters and reusing them. It’s what literature has done ever since people started telling stories to while away the hours sitting around the campfire. But the whole point of creating stories is to add value to the material – to bring in something new. And I worry that any work generated to meet the demands of a dead author’s estate is necessarily going to be limited in terms of what the new writer can bring to the party.
On the contrary, I would argue that the only truly creative way to go when writing any sort of sequel, prequel or whatever is to mark out your own territory by heading off in a completely new direction.
The initial germ of an idea for “Mrs Darcy versus the Aliens” (ah, here we go) was actually a creative writing consequences game in which I started playing with the idea that, a couple of years post marriage, the Darcys hadn’t had any kids yet and that Wickham might not necessarily be quite such a bad guy. Then the alien concept came along, and that immediately opened up the possibility that Wickham was a hotshot deep cover alien hunter. In this new worldview, the elopement with Lydia was actually to protect her from alien kidnap and all the concomitant probing and stuff. The entire plot of “Pride and Prejudice” was henceforth up for reinterpretation.
I’d like to think that Jane would have approved. But I’m actually not that bothered. As I’ve said, my main concern was to use her characters as a starting point, not a straitjacket.
In fact, all the best Austen spinoffs are the least reverent and most outrageous ones. I normally try not mention “Pride and Prejudice and Zombies” (because of all that, you know, daring to turn up in print while I was still writing mine), but it’s surely got to be more interesting proposition than “Murder at Pemberley”. Best Austen film? Got to be “Clueless”. And so on.
I realise there are copyright reasons for all of this and that, at least outside the dark and weird worlds of unpublished fan-fiction, you can’t just grab anyone’s work and do whatever you like with it. But if you can’t do that, I do wonder a little what the point is, especially when there are big-name authors involved. I hope I’m wrong, and I wish the likes of Boyd and Hannah well (although I will admit to continuing to harbour ill will towards Eoin Colfer – I mean, how could he?)
All the same, I would still love to think that one day the Fleming estate will give the nod to someone like, I dunno, Jeanette Winterson and say to her, “Go on, do what you like. It’s all yours.”